WARISAN PERUBATAN TRADISIONAL DALAM SENI SILAT DI KELANTAN, MALAYSIA
DOI:
https://doi.org/10.47252/teniat.v9i2.740Keywords:
Kelantan, Perubatan Tradisional, Proses Rawatan, Seni Silat, Traditional Medicine, Treatment Process, Silat ArtAbstract
Abstrak
Silat merupakan seni mempertahankan diri yang terkenal dalam kalangan masyarakat Melayu dan tersebar luas di Nusantara. Namun, tidak semua dalam kalangan masyarakat mengetahui tentang adanya proses perubatan secara tradisional di dalam persilatan dan kedua-duanya amat memerlukan antara satu sama lain. Dalam erti kata lain, perubatan tradisional dalam seni silat telah bergerak seiring dengan pembelajaran ilmu silat dan berfungsi sebagai ikhtiar untuk menyembuhkan pelbagai jenis penyakit. Aktiviti perubatan tradisional di dalam persilatan ini juga masih lagi diamalkan di Kelantan, yang juga terkenal dengan ritual perubatan melalui seni persembahan seperti Main Puteri dan Mak Yong. Walau bagaimanapun proses perubatan dalam seni silat yang dikaji berbeza dengan Main Puteri dan Mak Yong di mana ia tidak dipertontonkan di hadapan khalayak ramai. Mengungkap secara lebih mendalam mengenai perubatan dalam seni silat, pengkaji akan menerangkan objektif kajian ini iaitu apakah jenis penyakit yang dialami oleh pesakit dan bagaimana proses perubatan dilakukan oleh gurulatih. Di samping itu, pengkaji telah menjalankan kaedah pemerhatian serta pemerhatian secara ikut serta dan menemubual beberapa orang gurulatih seni silat itu sendiri.
Abstract
Silat is an art of self-defense that is well known among the Malay community and is widespread throughout the Malay Archipelago. However, the society might not be aware that in silat there is a practice of traditional healing and both need one another. In other words, traditional healing in silat have been moving along with the learning aspect of the martial art and serves as an effort to cure several illnesses suffered by a patient. Silat healing activities are still being practiced in Kelantan, which is known for its traditional healing rituals through the performance of Main Teri and Mak Yong. The healing process in the Seni Silat Pusaka Gayong Malaysia, Kelantan branch is different from Main Teri and Mak Yong and can’t be shown to the public. In looking deeper into the healing process in silat, the researcher analyses the objectives of this study which covered the types of illnesses experienced by patients and how healing processes were done by the ‘gurulatih’. The research was conducted using the participant-observation method and interviews with a few silat ‘gurulatih’
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