PEMBINAAN TEORI TEKSDEALISME DAN PENELITIAN TERHADAP KARYA PUISI KONKRIT
DOI:
https://doi.org/10.47252/teniat.v11i1.981Keywords:
puisi konkrit, Tri-V AGI, teori teksdealismeAbstract
Makalah ini menekuni dimensi penciptaan teori teksdealisme menerusi aspek dasar pembangunan teori, rangka dasar teori serta pengakplikasian teori dalam karya sastera. Berikutnya, penelitian dibuat berdasarkan puisi konkrit Tri-V (verbal-vokal-visual) ciptaan Abdul Ghafar Ibrahim (AGI). Kajian ini mengaplikasi kaedah kualitatif berdasarkan teknik analisis kandungan (content analysis). Kaedah ini dipilih berikutan bersesuaian dengan teknik pengumpulan dan analisis data bersandarkan kepada teks yang dikaji. Dapatan kajian mendapati teori teksdelisme berfungsi dalam mengidentifikasi karya dan penyair yang unggul. Didapati prinsip teori ini paralel dengan horizon kepenyairan AGI yang cuba keluar daripada belenggu konvensional dan mencipta inovasi baharu bagi mewarnai jagat sastera tanah air. Diharapkan makalah ini dapat menjadi rujukan kepada pengkaji lain, pengkritik dan para pelajar aliran sastera yang ingin memanfaatkan teori teksdealisme dan pada masa yang sama mencipta pembaharuan dan inovasi dalam penciptaan puisi.
This paper explores the dimensions of textdealism theory creation through the basic aspects of theory development, a framework, and the application of theory in literary works. The research is based on Tri-V (verbal-vocal-visual) concrete poetry pioneered by Abdul Ghafar Ibrahim (AGI). This study applies qualitative method based on content analysis techniques. This approach was chosen due to its compatibility with the data collection and analysis techniques based on the text being studied. According to the findings, the textdealism theory is effective in identifying excellent poetry and poets. It was found out that this theoretical principle parallels with the horizon of AGI's poetry, which attempts to break out of the shackles of conventional and create new innovation to add much beauty to the literary world of the homeland. It is hoped that this paper can be a reference for other researchers, critics and literary studies majors who wish to utilize the theory along with renewal and innovation in the creation of poetry.
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