ESTETIKA RASA DALAM FILEM ARAHAN DAN LAKON OLEH P. RAMLEE : ANALISIS TERHADAP FILEM PENAREK BECA (1955)

Abstract

Kertas seminar ini cuba menjelaskan hubungan estetika dengan rasa khalayak dalam filem arahan dan lakonan oleh P. Ramlee: rujukan filem PENAREK BECA (1955). Estetika adalah konsep yang berkaitan dengan keindahan, elok, berguna yang merangkumi aspek fizikal dan dalaman termasuk akal budi. Rasa ialah emosi dan perasaan yang terpendam dalam alam bawah sedar diri seseorang (unconscious). Emosi akan terangsang apabila disentuh dan diusik dengan fenomena sosiobudaya kehidupan masyarakat yang direpresentasikan melalui filem yang mampu menyentuh rasa seseorang. PENAREK BECA (1955) menyajikan penonton dengan sinematografi, lakonan dan arahan P. Ramlee yang estetikanya merangkumi estetika bentuk, rupa, nilai dan sosiologi. Estetika tersebut membangkitkan rasa marah, rasa utama yang mendominasi filem ini di samping rasa sedih, rasa riang dan rasa wira. PENAREK BECA (1955) ialah filem pertama arahan P.Ramlee yang memberi kesan estetika rasa kepada penonton.

This seminar paper tries to explain the aesthetical relationships among the audience in the film directed and acted by P. Ramlee: PENAREK BECA (1955). Aesthetics is a concept related to beauty, pleasantness, usefulnessembracing the physical and inner common senses. Feeling is the emotion and feeling latent in the subconsciousness of a person (unconscious). Emotions are aroused when touched and untouched by the phenomenon of cultural life of the community represented in the film that could affect the taste of a person. PENAREK BECA (1955) presents the audience with the cinematography, scenario and direction of P. Ramlee, including aesthetic design, appearance, value and sociology. Aesthetics meant is capable to arouse the sense of anger, the core dominated feeling in the film, as well as feelings of sadness, sense of joy and heroism. PENAREK BECA (1955) was the first film directed by P.Ramlee and claimed to be capable of producing the effective aesthetical senses for the audience.